OOC:
UNO: Sero watched as his stealth attack seemed to miss for the most part.
DOS: It was so frustrating to watch his attacks fail so frequently. But that was just part of his thoughts.
TRES: After all in order for the Kunai to have collided in the air they would of had to have successfully wrapped around him as Sero had to use the weapons like flails.
CUATRO: But that was what Sero was enjoying about the moment.
CINCO: Not only was his opponent moving but he was moving to his blind side and away from Sero
SEIS: Just as Sero had predicted he was creating distance between them again.
SIETE: As his opponent moved Sero pulled the strings back.
OCHO: With so little distance and at the same speed Sero could move they would be dragged down the path of the strings. With all his might Sero pulled as fast as he could.
Uno: This indicated that Sero took notice of his missed stealth attack, this being no easy task from a point of twenty- eight meters away would create a gap of two to three seconds of ‘ buffer ‘ time, time in which your character does nothing but look. As stated that no other movements whilst this, sequence of observing has occurred.
Dos: This states that every attack which was failed, was watched. But with something additional- it is brought up in this line that Sero is actively thinking about this subject. Which means that his mind was clouded with these failures. This, in relation with Uno means that Sero is not only actively not doing anything at that precise moment- it means that his mind is clouded and therefore his reaction speed slowed.
Tres: What are you saying man? Who do you mean by him? Yourself? Me? The tree that you identify as a person? It’s all open. So I can decide anything I want by what you mean, since it’s vague as hell. Logically, it would be me. So the him in this sentence would be me.
Cuatro: This is one more thing that gives me enough time to move around, and whatnot. It states that you take your time, smiling- enjoying the moment. Anyhow- other then ‘ enjoying the moment ‘ (which can be read as a metaphor, and in this instance will be) is an action that leaves five to eight seconds once on top of the two to three seconds from before. Because this happened right after it.
Cinco: ‘ he ‘, yeah- this is so open that I’m gonna take advantage of this one and use the he in this sentence to refer to myself. Which means that I was moving into your blind side.
This implies either one of the two things:
- I moved into your blind spot, which means your back faced my front, because your blind spot is at the back of your skill.
- Something- such as an obstacle appeared in front of your view which puts me in your blindspot.
In my post, you can read that I manipulated this in a way that your back is facing me. OOPS. This means that you would have had to turn around AFTER watching your attacks miss. In case you think that I’m a retard; this isn’t godmodding, because you stated yourself that this happened and not me.
Seis: This statement would be void, because I would have moved- and created distance prior to you noticing your stealth attacks failing. But this states that this is not the case, which cannot be possible because it wouldn’t add up with the timeline and all. But in some sense, it does- because it states that you have had thought about it prior, but again- it doesn’t make sense.
Siete: OH BOY. ‘ As his opponent moved Sero pulled the strings back. ‘ - The one letter, the one bit of grammar that has failed you. IF you had written, ‘ Upon his opponent moving Sero pulled the strings back then you could have gotten away with it ‘. But unfortunately, you didn’t. Which means that you orchestrated these actions after I moved. AFTER, I moved. Because, it states: moved. Past tense man.
Ocho: This only helps me by saying that these kunais were really close to you. Since the specific distance wasn’t mentioned, this is once again open for manipulation. Also, it states that you fully use your power to pull them which also helps.
Now, back to the album
IC
The sound of birds tweeting, echoing through the envorinment, were the sounds of kunai clashing against one another. As this was happening Toshiko moved forward, using his proper "running " speed and disregarding the wounds on his body because of the sheer adrenaline taking over his thinking; his natural instincts took over. After his initial movement of fifteen meters, Toshiko stood three meters away from Sero. Of course, this happened before the sweet sound of metal clashing was heard. Because Toshiko moved in a fast fashion, an utter surprise was to be expected. Toshiko was freed up of time; therefore, he spent it wisely by moving torwards Sero. Whilst moving, he did not stop. The tanto that he held had been pointing at Sero for a while now and it still had been. A sly grin appeared on the face of the young Toshiko, he moved at a speed that apparently was too fast for Sero to respond to, considering that he hadn’t. Instead, a smile from Toshiko’s opponent seemed to be observed. Was it a mock? Possibly. However, what happened after the man smiled, was much worse then a mock; it was humiliation.
Toshiko moved at a velocity of nine meter per second, with Sero being five meters away it took Toshiko a second to move four meters past Sero. When he moved towards and past Sero, he had lowered his body slightly to get better momentum, allowing him to properly coordinate his strength in a more convient way; which was meant for his slash that he made using his tanto that was placed at Sero’s lower-body - a diagonal cut that ranged from Sero’s left hip to his right hip. Due to Sero’s back having been pointed at Toshiko’s front whilst he did this, it would only leave a much more gory scene if he had turned around during this sequence of actions. When Toshiko stood four meters away from Sero after this cut had been placed, his front was facing slightly away from Sero, but he could still properly still see him and react to his reactions if needed. It was then when Toshiko noticed the kunai that previously had been in the air when they clashed were being pulled by Sero into Sero. Tragic. Why would someone ever hit themselves? The kunais would hit Sero, even though they were directed at Toshiko, this happened for an obvious reason; Toshiko’s blindspot was at his back. When he was done moving forwards, Sero had seemed to pull the threads towards Toshiko, but perhaps didn’t calculate the most important factor in this battle - himself. The kunai would meet Sero’s body before being able to reach Toshiko’s body because Sero was standing in the way. The kunai were launched at Sero’s body at a monstrous speed because of the strength put behind them. One pointed at the lower part of the splenius - damaging this muscle would numb the entire body for a moment of two seconds, and then paralyze the legs followed by the arms becoming immobile. The high rank of this kunai and the properly coordinated strength put behind it entailed that there would be no doubt that it would cut through the entirerty of the splenius.
Another one of these kunais that were launched at Sero’s back had been pointing at Sero's right deltoideus muscle. The final and last one that was launched at Sero’s back pointing at the opposite deltoideus, the one at his left arm. With the fierce property of the three kunais, there would be no doubt that they easily could cut through these muscles. The deltoideus being cut would mean that Sero could no longer move his arms. With the cut that Toshiko himself had previously placed allong with these three kunais hitting vital spots, there was no doubt in Toshiko’s mind that he had won this battle. Of course, properly responding to threats was still something that was on his mind. The smile of Toshiko’s opponent was still noticeable. How wicked and edgy of him.